Review

 

The fine line between art, life and illustration

Paul Davis

Saul Steinberg is the only artist that has reduced me to tears on the Underground…
 

End of history? Graphic design hasn’t started

Alice Twemlow

The New Views symposium elicited two distinct perspectives on graphic design history, raising questions about…
 

Revolutionary material in the flesh

Steve Rigley

Glasgow’s Hunterian Gallery is home to a collection of James Abbott McNeill Whistler’s portraits, yet…
 

Abbott Miller in the driving seat

John L. Walters

A new phase for the visual culture magazine 2wice begins with this paean to the…
 

1057

Jeremy Hall

In the Traffic Signs Regulations of 1982, code 1057 refers to the road marking for…
 

The theatre that Swarte built

Steven Heller

On April 30 1995, the Dutch cartoonist Joost Swarte was miserably tossing around on his…
 

Nothing like the real thing

Lucienne Roberts

Went to the conference, visited the exhibition, read the books but didn’t buy the T-shirt…
 
A very English tradition

A very English tradition

Kerry William Purcell

If graphic design history can be read as a family tree, Britain has long played…
 

Zen and the art of design

Elizabeth Resnick

Oullim, the keyword of the Icograda Millennium Congress, is a Korean word meaning “great harmony”…
 

Sharp thinking takes the prize

Robin Kinross

The latest Charles Nypels Prize for typography was awarded last November to Erik van Blokland…
 
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