Review
Parr’s ambivalent obsessions
‘Parrworld’, the title of Martin Parr’s latest exhibition, is a bold if not presumptuous declaration…
Fabrica’s grand tomb of shock
Fabrica 10 is a book with ten covers. About four inches thick, it is almost…
Ware: we are not worthy
Do we deserve someone as good as Chris Ware? Surely we are not worthy. Whether…
Spiritual values in a digital age
April Greiman occupies a special position in contemporary graphic design culture. She remains one of…
Concrete evidence
It is not unusual for the work of artists and designers to make the transition…
Toys are us
Tania Prill, Sebastian Cremers
Not a Toy, a boundary-busting book of art and fashion, is edited by Vassilis Zidianakis…
When Andy got his sticky fingers on an album . . .
Andy Warhol (1928-87) is the artist who will not die. His life and work helped…
Architectural fallout
In the centre of the Slovenian capital of Ljubljana is a big new office block…
Print’s not dead: it just smells funny
Kristina Nickel’s ‘handbook for media designers’ comes shrink-wrapped with a glowing quote from Erik Spiekermann…
You can judge by the cover
Designer Andrew Howard’s catalogue of his exhibition Gateways: An International Exhibition of Book Covers, Portugal…