Review

 
Off the shelf

Off the shelf

Simon Esterson

Jonny Trunk is obsessed by the childhood memory of a cornflake box seen on family…
 
Consequences for the comic artist

Consequences for the comic artist

Robert Hanks

Nelson is, according to Rob Davis’s introduction, ‘a testament to what comics truly are’. But…
 

Gnomic utterances

Steven Heller

There is nothing new about artist’s books composed from pieced together, ironically juxtaposed snippets of…
 

Product design: secular religion or useful hobby?

Ken Garland

Encouraged, no doubt, by the well deserved success of his first documentary, Helvetica (2007; see…
 

The Swastika as symbol

Julia Thrift

Littered with phrases such as ‘hypertrophied singularity’, and drawing deeply on semantic theory and philosophy…
 
Found Master

Found Master

Steven Heller

I first came across N. P. de Koo while researching my own Dutch Modern (Chronicle…
 

Iran’s tantalising visual revolution

Rick Poynor

This survey of new Iranian design work is exciting and frustrating in roughly equal measure…
 

Music designers come clean for students

A collection of interviews with 23 music-associated designers. The questions are pointed and clear; the…
 

Predation and consumption: adrift in ecstacity

Eric Kindel

Architects with ambition rarely restrict their interests to only single buildings, or buildings in a…
 

Drink me

Simon Esterson

From its cork-finished covers to its wine-bottle proportions, Eduardo del Fraile’s Wine Labels looks and…
 
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