Review

 

Under Anger’s arcane spell

John Coulthart

Artistic innovation often originates at the margins among mavericks and outcasts. Kenneth Anger (b 1927)…
 

Digital cut and paste from India

Steve Rigley

‘In a realm of Calvino-esque echoes, the “invisible cities” begin to unravel their presence, at…
 

What a wind-up! Four decades of problems and ‘style’

British Design & Art Direction – D&AD – is 40 years old and, like many…
 

A fraternity of trifles

David Thompson

With Chris Ware’s Jimmy Corrigan upending expectations of the comic book form (and winning the…
 

An Italian in Zurich

Concrete art was a resolutely European art form (or, to be more specific, a Swiss-German…
 

LA logo attack

Matt Soar

An entirely troubling aspect of debates about product placement (an egregious and underhand marketing practice…
 

Black gold

John L. Walters

If there can be such a thing as a revolutionary coffee table book, Freedom Rhythm…
 
Towards a theory of everything design

Towards a theory of everything design

Jiwon Lee

Graphic Design Theory: Readings from the Field has the potential to be a popular academic…
 

Dust that never sleeps

Anna Gerber

Artist and writer Rachel Lichtenstein is best known for her book (and personal quest), Rodinsky’s…
 

Poetry of colour

Rob Giampietro

There are two types of primary colours: additive and subtractive. The subtractive primaries (CMYK) are…
 
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